“Just the facts, Ma’am,” is what Sgt. Friday, played by Jack
Webb, used to say on the old police show Dragnet.
He said this to witnesses when investigating a crime in order to head off the their
emotional reactions to what they had seen or their speculation about causes and
motives. Some philosophers, logical positivists in particular, put forward the
idea that the real world consists only of facts, that our feelings about the
world are merely subjective and have no bearing on truth – except perhaps
truths about human psychology. Facts are objective and real. Feelings are
subjective and not real in any way that counts.
But what could be more real than the tension in a difficult
relationship, or the love between people in love or between parents and their
children? Try to convey these feelings and the way they shape what goes on
between people in purely factual terms! Here’s another thing whose reality is
undeniable, but that would not exist except for what goes on within us.
[Music: “Pan’s Lullaby”; Thelonious Monk, “Blue Sphere”]
What would it mean to describe what you just heard in
objective, factual terms? You could describe the sounds in great detail as wave
patterns in the air; you could discuss the pitches and the tempos. But what
makes what you heard music is what
happens within us as we hear those sounds. When we listen to music, with full
appreciation, we let the rhythms and melodies play through our bodies; we
ourselves become part of the music, we are moved
by it. Apart from our feeling it, music is nothing. Without listeners, music
would be “mere sound and fury, signifying nothing.” Music stirs us to our
depths, engaging our emotions, even the emotions we don’t have names for. The
same is true of the visual arts: they are made to be seen by living human
beings who respond deeply in their bodies and souls to what they see.
But isn’t this true of the world we live in and are part of?
We respond to the world not just as terrain we must find our way around in and
manipulate to give us what we need. If we are fully alive, we are always
responding to what is going on around us aesthetically and emotionally – with
hope, fear, desire, disgust, love, and hate, and whatever emotion we are
expressing when we say “That’s beautiful!” The world would not be the world if
it were not for the complex feelings involved in our encounter with it, any
more than a Bob Dylan song or Beethoven’s Fifth would be what we know them to
be if we did not respond to them as we do – nor, of course, would Dylan or
Beethoven have created them.
Yet it is not only philosophers like the logical positivists
who can be seduced by the idea that the real world consists of nothing but
facts that are entirely independent of human feelings. In fact, this idea is
like a defense mechanism many of us employ to get along in a capitalist
society. Why? Because capital has but one way of thinking about and acting in
the world, and that is to expropriate and exploit it to turn it into a singular
unit of value: money. Bankers and landlords cannot see breathing, living men,
women, and children with needs for safe shelter; health insurance and
pharmaceutical companies cannot see the injured and the sick; Apple and Amazon
cannot see the human beings who work for them. Capital can see only sources of
income and units manufactured and delivered. Capital can see nothing it can
care for except opportunities for growth.
Everything on earth becomes a resource for the production of
profit. Forests, prairies, mountains, rivers and oceans and all the living
beings in them are fodder for the capitalist machine that chews it all up and
excretes one substance: money.
So when we look at our world, including each other, from
within the system of capitalism, what is most real is just the facts: by what machinery and at what costs can oil be
extracted from this or that sea bed and what is its value on the market? How
many hours can we employ these workers at what wages to maximize our profits?
How much timber can be cut in this old growth forest at what cost and what
return on investment? “Just the facts, Ma’am, and don’t give me irrelevant
subjective feelings about the natural world or the quality of people’s lives.
Yes, the beauty of the world and the love that people have for each other is
fine for leisure time and vacation–– as long as they don’t get in the way of
production.”
The world that consists of facts and just the facts, the
world as conceived by logical positivism and seized and governed by capital is
a thin, cold, and colorless world. It is like music that evokes no pleasure,
human life without passion, a tale told by an idiot, lacking even sound and
fury, and signifying nothing but death. It is a world where the impulse to love
struggles to find anything worth loving or anything to call beautiful, where our
need for beauty must be content with the imaginary realms of fiction, art
sequestered in museums, and nature fenced off in preserves.
Capitalism would blind us to everything that could evoke our
love and our pleasure, to most of what impels us to say, “That’s beautiful!” The
movement to do away with capitalism and to reconstruct the world, to make the
world our world, a human world, is
underway and needs our support and active participation. There is a world
beyond the world of facts that we can cultivate together, guided by our desire
for what can be loved because it is beautiful.
Presented on the Old Mole Variety Hour, July 15, 2019
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